After the Sale – Nov 1968

Modern Rock Quartet (MRQ)
Modern Rock Quartet (MRQ)

The transition from owner to spectator was somewhat difficult for me. After having started it, bringing it through transitions, setting its orientation, and living through the ups and downs, it was a shock to have to drop all involvement. I supported John wholeheartedly and John welcomed my presence. However, I felt superfluous, and I felt that any comments I would make could be taken as criticisms. I stuck around anyway for a while at least, ready to answer any questions be it for the bookings, suppliers or publicity. Gradually, my presence receded, but then of course my new job at the CBC became quite demanding. At the time, both English and French television stations were under one program director, and being francophone, I worked on both stations. For the English side, I produced "Reach for the Top" (Alex Trebek, Brian Smyth), and for the French side, I produced a music show appropriately called "Boîte à chansons." And, of course, many performers I had at Le Hibou were part of the show, including Lise Masse and Aurele Lecompte.

A few years later I was asked to produce a show featuring local artists for the English network. It was easy to get it together since all the local artists had already performed at Le Hibou. So I did a half hour show with the MRQ (the Modern Rock Quartet with Peter Jermyn), another with Bill Stevenson; then Nev Wells, Peter Hodgson and Robin Moir, A Rosewood Daydream (Sneezy Waters new group with Susan Jains) and many others. I didn’t have Bruce Cockburn perform since he had left for Toronto, but sometime later, for another show, I did an interview with Bruce using Bill Hawkins, recorded at my home.

As time went on, I lost track of happenings at Le Hibou since my new job as documentary producer took me all over Canada and the United States with many forays to Asia. On top of all that, I was also National Vice-President for the National Television Producers Association, which sent me all over Canada for meetings and resolutions of crises, and negotiations. So I missed a lot of what was happening at Le Hibou. But then, one evening in St John’s, Newfoundland, I was pleasantly surprised to bump into A Rosewood Daydream in a small folk club near the harbour. It was good to see Sneezy Waters and Susan Jains again.

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